简体 | 繁體 | English

Ding jin xiu, gold-thread embroidery

Gold thread tacked down to make the shape, used mostly on the robes of gods and on wedding dress.

Pronunciation dìng jīn xiù|Craft and performance|One entry in the Chaoshan glossary

A Chaozhou embroidery hanging panel with a group of figures on a red ground and tassels below
A hanging panel: a group of figures on a red ground, tassels along the lower edge. Image: Douyin @红桃粿, 4 July.

What it means

Gold and silver thread first and silk thread second: the gold is tacked down in short runs to build the shape. It throws back daylight hard, and is legible from a distance.

The dragon on a god’s robe is usually worked in the two-needle scale stitch: gold coiled and tacked into small discs, each overlapping the next, the lower edge of every scale free to lift.

Why gold

A procession is outdoors and the crowd stands dozens of paces off. Fine stitching cannot be seen at that range; the shine of gold can. The choice of technique follows the viewing distance, which is a very practical reason why gold work has held on here.

Words easily confused

Gold-thread embroidery is a system of stitches within Chao embroidery, not a synonym for any embroidery that happens to use gold. Chao work also has silk-stitch and plain-thread methods that carry no gold at all.

Read next: Robes for the gods: the garment made for an image.

Same group: Chao embroidery, drawn work, carrying the gods.

Home › Glossary › Craft and performance › Gold-thread embroidery

Text on this site is CC BY-SA 4.0; copyright in images is reserved and commercial use requires a separate licence.
Last revised: 3 November 2026